10 Sheets Fomabrom VAR 112 Premium Quality 16×20” Baryta

Product Overview

If you are a professional black & white printer or an enthusiast who loves traditional darkroom craftsmanship, the 10 Sheets Fomabrom VAR 112 is a perfect choice for achieving deep tonal richness, crisp contrast, and an elegant finish. Manufactured by FOMA Bohemia, a renowned Czech company with over 100 years of experience in photographic materials, this baryta-based paper is designed for fine art photographers who demand timeless quality and control in every print.

What Makes 10 Sheets Fomabrom VAR 112 Special?

The 10 Sheets Fomabrom VAR 112 is a variable contrast black and white photographic paper coated on double-weight baryta paper base (fiber base). This design provides outstanding depth, clarity, and tonal separation—ideal for both portrait and landscape printing.

Key characteristics include:

• Baryta (fiber) base for deep blacks and brilliant whites
• Variable contrast (multigrade) capability, allowing contrast control using filters
• Neutral-to-slightly warm image tone, favored by classic photographers
• Exceptional archival stability, ensuring your prints last for generations
• Smooth, glossy surface finish for sharp details and professional appearance

With 10 Sheets Fomabrom VAR 112, you can produce professional-grade results whether printing in your home darkroom or for a gallery exhibition.

Paper Base and Coating Quality

Each sheet of 10 Sheets Fomabrom VAR 112 features a fiber-based baryta coating that enhances the paper’s reflectivity, contrast range, and durability. Unlike RC (resin-coated) papers, the baryta layer adds depth and texture to images, replicating the feel of traditional silver gelatin prints from the golden age of analog photography.

The 16×20-inch size offers a large format ideal for high-resolution enlargements, contact prints, or fine art displays. The 10-sheet pack ensures consistency and allows photographers to work efficiently on test strips and final prints.

Contrast Control and Processing Flexibility

One of the defining features of 10 Sheets Fomabrom VAR 112 is its variable contrast emulsion, designed for use with multigrade filters or color heads. This means you can easily adjust contrast levels (from soft to hard) during the enlarging process without changing the paper type. It provides maximum flexibility for creative control in your darkroom.

The paper works excellently with both conventional developers such as Foma Universal Developer, Ilford Multigrade, and Adox Neutol Eco, giving consistent tone and grain detail. Developers and toners enhance the paper’s tonality — for example, selenium or warm-tone toners can modify the final print’s hue to your aesthetic preference.

For consistent performance, Foma recommends processing 10 Sheets Fomabrom VAR 112 using standard developing, fixing, and washing cycles suitable for baryta-based papers.

Tonal Range and Image Depth

The 10 Sheets Fomabrom VAR 112 paper provides an extraordinary tonal scale — from deep, rich blacks to bright highlights, maintaining smooth transitions throughout. Its neutral image tone works perfectly for artistic portraits, documentary photographs, and fine art prints.

The baryta layer gives your prints that 3D “pop” effect — a depth and presence that resin-coated papers can’t replicate. Many photographers appreciate the paper for its classic silver gelatin feel, making it a go-to choice for archival and exhibition-quality work.

Ideal Applications for 10 Sheets Fomabrom VAR 112

This paper is versatile and suitable for multiple applications:

• Fine art photography exhibitions
• Museum-quality archival prints
• Portrait and landscape darkroom enlargements
• Educational or academic darkroom practice
• Gallery and collector-grade photographic editions

Whether you’re printing with a Durst, Meopta, or Kaiser enlarger, 10 Sheets Fomabrom VAR 112 performs flawlessly under various enlarging conditions.

Archival Permanence and Longevity

The 10 Sheets Fomabrom VAR 112 baryta paper is designed for long-term preservation. Its fiber base and silver halide emulsion ensure that your prints remain stable, maintaining image integrity for decades when properly processed and stored. This makes it the ideal choice for photographers who want their work to endure the test of time.

To maximize archival quality:

• Use a high-quality fixer like FOMA Fomafix P or Ilford Rapid Fixer
• Thoroughly wash prints to remove residual chemicals
• Store in acid-free sleeves or archival boxes

Compatible Darkroom Chemistry

For optimal results, use the following recommended darkroom chemicals:

• Developer: ADOX NEUTOL Eco Developer
• Fixer: FOMA Fomafix P U1 – Powder Fixer
• Toner: Kodak Selenium Toner 946ml (Art# 70486)

Each of these products enhances the performance and stability of 10 Sheets Fomabrom VAR 112, ensuring consistent, high-quality results.

Internal Links (Onestopphoto Related Products)

For users looking to explore other FOMA or darkroom products, check these related pages on your store:

• Fomabrom VAR 111 16×20” Premium Quality Baryta – 25 Sheets
• Fomabrom VAR 112 16×20” Premium Quality Baryta – 25 Sheets
• Fomaspeed VAR 313 4×6” Premium Quality Resin Coated – 100 Sheets
• Paterson Film Developing Tank.
• Kaiser Film Leader Retriever – Code: 4132

These links create a strong internal structure for SEO and guide visitors to related analog photography supplies.

Recommended External Links 

1. FOMA Bohemia Official Website – for manufacturer details and product authenticity.

2. Ilford Photo Education Hub – for darkroom tips and contrast filter guides.

3. Analog Photography Users Group (APUG) / Photrio Community – for discussions, reviews, and technical support on darkroom papers.

Why Choose Foma Fomabrom Paper Over Other Brands?

Compared to similar papers by Ilford or Adox, 10 Sheets Fomabrom VAR 112 stands out for its excellent price-to-performance ratio, smooth contrast control, and traditional fiber-base aesthetic. FOMA’s manufacturing precision ensures that every sheet performs reliably — with consistent exposure, tone, and chemical response.

This paper is an ideal match for photographers who appreciate classic European photographic materials and desire museum-quality silver gelatin prints without compromising affordability.

Technical Specifications

Conclusion

The 10 Sheets Fomabrom VAR 112 Premium Quality 16×20” Baryta is an exceptional choice for photographers seeking authentic silver gelatin results. Its baryta coating, archival longevity, and tonal depth make it a trusted medium for professional printing and exhibition-quality work. From rich blacks to luminous whites, this paper delivers the traditional analog look that digital simply can’t replicate.

Frequently Asked Questions (FAQs)

Q1. What type of base does 10 Sheets Fomabrom VAR 112 use?
It uses a fiber-based baryta coating, offering superior tonal depth and archival durability compared to RC papers.

Q2. Can I use 10 Sheets Fomabrom VAR 112 with all developers?
Yes, it’s compatible with most black and white developers like Foma Universal, Ilford Multigrade, and Adox Neutol Eco.

Q3. Is this paper suitable for warm-tone or neutral prints?
10 Sheets Fomabrom VAR 112 produces a neutral image tone but responds beautifully to warm-tone toners like selenium or sepia.

Q4. How should I store unused sheets?
Store in a cool, dry, and dark place, ideally in original packaging, to protect the emulsion from humidity and light exposure.

Q5. Is it suitable for exhibition-quality prints?
Absolutely! Its fiber-based baryta coating ensures rich tonal gradation, making it a top choice for gallery and archival-quality printing.

Q6. What’s the difference between Fomabrom VAR 111 and VAR 112?
While both are fiber papers, VAR 111 typically offers a glossy surface, and VAR 112 leans toward a matte or semi-matte texture, depending on the batch and finish.