ADOX ADOFLO II – Effective Wetting Agent, 100ml conc.

Introduction

ADOX ADOFLO II is a premium, highly concentrated wetting agent specially formulated to reduce water marks and promote even drying for photographic films and prints. Whether you process black & white or color materials, this 100ml concentrate offers unmatched reliability and effectiveness during the final rinse stage.

What Is ADOX ADOFLO II?

ADOX ADOFLO II is designed to minimize water spots by encouraging even water runoff from film and photo paper surfaces. Its anti-static properties help prevent dust attraction during drying, resulting in smoother, streak-free negatives and prints. This product is essential for both amateur darkroom users and professional labs.

Key Features of ADOX ADOFLO II

• ✅ Highly concentrated formula: Just 5ml per liter (1+200 dilution)

• ✅ Compatible with B&W and color films

• ✅ Prevents drying stains and reduces drying time

• ✅ Provides streak-free finish on negatives and prints

• ✅ Suitable for processing up to 100 rolls per 100ml bottle

• ✅ Perfect for archival storage and pro-quality results

Why Choose ADOX ADOFLO II?

When it comes to wetting agents, quality makes all the difference. This stands out because it offers:

• Superior anti-spot performance

• Trusted compatibility with all photographic papers and films

• Economical usage—a little goes a long way

• Safe for archival film drying

If you’re looking for an effective and reliable final rinse for your photographic processing, this is the answer.

How to Use ADOX ADOFLO II

Using this is straightforward. After your fixer or stabilizer, add 5ml of concentrate to 1 liter of water (1+200 dilution). Soak your films or prints for around 30 seconds before air drying.

📌 Pro Tip: Use distilled water with ADOX ADOFLO II for best results and minimal residue.

Compatibility

ADOX ADOFLO II works with:

• Black & white films (all brands: Ilford, Foma, Kodak, etc.)

• Color negatives and transparencies (C-41, E-6)

• Fiber and RC photographic papers

• Archival printing processes

This versatility makes ADOX ADOFLO II an essential part of every darkroom toolkit.

Who Should Use ADOX ADOFLO II?

• 📷 Film photographers looking for clean, dust-free negatives

• 🧪 Darkroom enthusiasts processing archival-quality prints

• 🎞️ Professional labs that need consistent, spotless results

• 🎓 Students and educators needing an easy, effective rinse agent

Real-World Performance

Photographers worldwide praise ADOX ADOFLO II for its consistency, ease of use, and the noticeable improvement in drying quality. Whether you’re scanning or printing in the darkroom, this wetting agent ensures you get clear, spot-free images every time.

Benefits Summary

• Prevents watermark stains on film

• Dries negatives evenly with no streaks

• Reduces dust accumulation

• Long-lasting value — up to 100 rolls per bottle

• Compatible with archival storage

 Product Specifications

 Explore Related Products on Onestopphoto.in

• All Photo Chemistry Products

• Darkroom Equipment & Tools

• Black & White Films Collection

 External Resources for Further Reading

• Ilford Photo – The Importance of Wetting Agents

• Wikipedia – Photographic Processing (Final Rinse)

• Film Photography Project – Darkroom Best Practices

Conclusion: Why ADOX ADOFLO II Belongs in Every Darkroom

In the world of analog photography, every small detail matters—especially during the final rinse stage. ADOX ADOFLO II stands out as a trusted wetting agent for film, offering precise performance, archival safety, and reliable results. Its anti-static properties help minimize dust during drying, while its gentle formula protects your film from scratches, water spots, and drying streaks.

Whether you’re a beginner working from a home setup or a professional developing film in a high-volume lab, this photographic final rinse ensures that your negatives and prints are treated with care from start to finish.

If you’re seeking a streak-free film drying solution that’s both cost-effective and efficient, look no further than ADOX ADOFLO II. It’s an essential part of any darkroom workflow—powerful, precise, and proven.